The problem of cultural context and text in the transformations and criticism of contemporary Arab poetry (Sixty seventy and seventy models)

Jabbar Taha, Abdul Kadir

doi:10.21608/aafu.2019.76600

The problem of cultural context and text in the transformations and criticism of contemporary Arab poetry (Sixty seventy and seventy models)

Document Type : Original Article

Author

Abdul Kadir Jabbar Taha

10.21608/aafu.2019.76600

Abstract

In the sixties, Arab poets in general and the Aryans, in particular, tried to rebel against the generation of pioneers and their poetic styles. They introduced a new poem based on symbol, mask, legend and historical culture. This trend was crowned His movement in the Arabic poetry through the statement of the sixties, which poets: Sami Mahdi, Fadel al-Azzawi, Fawzi Karim, and Khaled Ali Mustafa, and this statement incited the generation of the seventies to rebel over the comprehensive framework of the poem, The daily poem, which takes care of the details of life and the different trends, has led to the contradiction in the poetic projects to produce a great momentum in the Arabic poem, which later resulted in the transformation of the Arabic poetic text from the style of the prose to the poem of prose that spread among the 80 poets widely, this shift puts us in front of a question is: are these transformations a movement of evolution in Arab poetry, Or is it trend towards ease and the destruction of Arab weight? This is the subject of our research.

Keywords