The film narrative overlaps between the imagined and the reality (Pain Closet film as a model)

A feature film is a film that relies on the many techniques, ranging between scientific and artistic pure, that many disciplines will enter and do a lot of linguistic elements for the production of an integrated cinematography, and among the artistical techniques used by the feature film  is to find a kind of relationship between the reality of reality as a document and imaginary and as a kind of disciplined imagination, This relationship is what led the researcher to determine the subject of his research at the following address: The interplay of the narrative between the visual and the reality (The Hurt Locker "Model"). The researcher has divided this subject into four chapters that came as follows:
o Chapter I (the methodological framework): The problem of research included the following question:
What is the way in which documentary narratives are employed in the feature film?
And then the importance of research and research objectives as well as the limits of research.
o Chapter II (theoretical framework): It has been divided into three sections:
The first search: (narrative concept and term)
The second research: dealing with narrative patterns in the feature film
The third research: The privacy of the documentary narrative in the feature film.
o Chapter III (the research procedures) included:
Research Methodology: The researcher used the descriptive approach, and the research sample which was represented in the film ((The Hurt Locker) which was chosen as a descriptive sample to suit the subject of the research, the analysis unit, the analysis tool, and finally the analysis of the research sample.
o Chapter IV (Results and conclusions) included the results of the research reached by the researcher and most important:
1.    To adopt camera neutrality and objectivity in the narrative of the real event within the structure of the imaginary film.
2.     The camera has taken the observation site of the event and follow-up documenting events in the narrative film to deepen the real sense of reality and credibility of the recipient.

As well as the conclusions of the researcher in light of the results of the research