Counter-narrative and the conflict of forms Reading in the light of the post-colonial discourse: "The novel of pistachio slaves" Samiha Khrais as a model

This study aims to discuss the philosophy of the anti-colonial domination narrative narrative in the narrative "Pistachio" speech, which reveals the civilizational and cultural dimensions of the North and the South, taking this narrative as a model, as an anti-racism and anti-chauvronistic discourse and a post-colonial creative narrative of colonialism at their different levels, as it is based on geographical and historical dimensions of South Sudan at the end of the nineteenth century. The research problem in reading this speech lies in the close intertwining of colonial civilizational visions based on religious, cultural and economic cognitive loads of the control of the culturally superior white man over those without it, specifically lions in Africa. This study raises questions, including: What is the nature of the relationship established by the colonial actor at the human level politically, culturally, religiously and socially by those on whom this act falls, and how are these civilizational dimensions formed as a suprandist discourse based on a system of religious and cultural sayings, and affects the construction of personalities and their effectiveness in civilizational and humanitarian confrontation and confrontation? To answer the main research question, the study used the sayings of cultural criticism, and the critical and cultural starting points of colonial theory and beyond.
This study was divided into four axes, dealing with the first axis: addressing strategy and naming forms, the second: the semia of the body in the orbits of nois and violence,