Wall painting and drawing are aesthetic arts in which religious and civil building decorated. Through it, political, social, religious conditions and any manifestation of presence of any society can be identified. The mural is the artistic painting that contain the drawings, whether its animal or the human stucco and geometric paintings, and some murals have contained designs and forms for architectural building, as well as the terrain of the land and the local environment. Moreover, there are many mural artistic methods, including the mural of fresco, Anacostia, Tempera, and wooden stands. In Jordan, the topic of wall paintings varied from Hellenistic period until Islamic periods.
Musa Al- Qaran, Z., & Fares Al-Tarawneh, K. (2024). Wall Painting as a respirator of the doctrine. Annals of the Faculty of Arts, Ain Shams University, 52(7), 95-116. doi: 10.21608/aafu.2024.367435
MLA
Zaien Musa Al- Qaran; Khalaf Fares Al-Tarawneh. "Wall Painting as a respirator of the doctrine". Annals of the Faculty of Arts, Ain Shams University, 52, 7, 2024, 95-116. doi: 10.21608/aafu.2024.367435
HARVARD
Musa Al- Qaran, Z., Fares Al-Tarawneh, K. (2024). 'Wall Painting as a respirator of the doctrine', Annals of the Faculty of Arts, Ain Shams University, 52(7), pp. 95-116. doi: 10.21608/aafu.2024.367435
VANCOUVER
Musa Al- Qaran, Z., Fares Al-Tarawneh, K. Wall Painting as a respirator of the doctrine. Annals of the Faculty of Arts, Ain Shams University, 2024; 52(7): 95-116. doi: 10.21608/aafu.2024.367435
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