Body and taboo taboo in the Iraqi theater

The research is concerned with the study of the physical performance in the Iraqi theater exclusively the prohibition system and its reflection on the performance of the Iraqi representative, and presented the methodological framework of the importance of research and the need for it and then the problem of research, which was established according to the goal of research Performer between stability and metamorphosis.
As for the theoretical framework, which is structured in three topics concerning physical performance and the prohibition system in the Iraqi theater, namely:

The concept of tabu and the power of social text.
The performance of the body and the power of the dramatic text.
The performance of the body between the fixed and the transformer.

As for the research procedures, which identify a sample (romantic encounter), the researcher analyzed this sample and the researcher has confirmed the results of the research, including:

Detection of anti-external content.
Use padded coding for external shape.
The partial encounter and collision in the play is a broader and larger model expected between the Muharram (Tabu power) and society.
Performance was key in communicating the philosophical, political and social concept and concept through the transformations of the body of the performer.