The globalization of all its effects is a way to export the ideas of cinematographic filmmakers through a visual discourse based on ethnology to pass a speech that devalues the value of non-Western peoples. To study this topic, the researcher presented her research problem (how is ethnological identity under globalization in the cinematographic discourse?) , And the theoretical basis of the research, the theoretical framework was represented on two topics: the first topic (ethnology and the technical displacement of the concept), and the second topic (globalization between thought and image discourse cinematography), and from the theoretical framework came out a number of indicators adopted by The analysis of the sample of the research sample, the series "The Night Of", after the analysis emerged a set of results, most notably: There is an ideological and ideological and theological purpose in building the image in the discourse of cinematography purpose to broadcast a set of values and ideas towards the recipient.
malik hasan, S. (2023). Ethnology and globalization of image in cinematographic discourse. Annals of the Faculty of Arts, Ain Shams University, 51(9), 192-203. doi: 10.21608/aafu.2023.323273
MLA
Shurooq malik hasan. "Ethnology and globalization of image in cinematographic discourse". Annals of the Faculty of Arts, Ain Shams University, 51, 9, 2023, 192-203. doi: 10.21608/aafu.2023.323273
HARVARD
malik hasan, S. (2023). 'Ethnology and globalization of image in cinematographic discourse', Annals of the Faculty of Arts, Ain Shams University, 51(9), pp. 192-203. doi: 10.21608/aafu.2023.323273
VANCOUVER
malik hasan, S. Ethnology and globalization of image in cinematographic discourse. Annals of the Faculty of Arts, Ain Shams University, 2023; 51(9): 192-203. doi: 10.21608/aafu.2023.323273
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