Representations of the philosophy of human death in world cinema

Document Type : Original Article

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Abstract

One of the most important features of film art is the ability to deal with different topics in the  ability to deal with different subjects in areas of knowledge, social and philosophical because of the various elements and tools on the one hand and the  big flexibility through which these elements can invested in order to deliver the idea to the to the recipient, and one of the topics that takes a big place in the film production of those films that present philosophical ideas, especially that deals with human and philosophies which tried to study it deeply and to put the idea of ​​death in its levels material and moral, this research present light on the philosophies of human death with the moral dimension that grew Clearly in the middle of the twentieth century based on the philosophical and mental that  invested by cinema to present in different forms and visions. The search is divided into three chapters, the first chapter dealt with the methodological framework, The second section ( the manifestations) dealt three topics, The third chapter dealt with the results، conclusions، recommendations and finally a list of sources adopted by the two researchers.

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