Geographical location had a very significant role in putting the Eyalet (Province) under the spotlight of many European countries, including France. The relationship between the province and France passed through periods distinguished by relative stability, except in some cases of marine conflict. This caused tension in relations for some time, due to the breach of treaties concluded between the parties. This also proves the existence of Tripoli sailors who sailed at their own expense. They may not be aware of such treaties; besides, sailing is considered a source of livelihood for them. However, endeavors soon reach a solution by holding new treaties for reconciliation and peace since both parties realize the importance of peace between them. It is also clear to us that France used to deal with the province as an independent state from the the Sublime Porte (Al-Bab Al-Aly). Thus, France recognized it and dealt with it directly without a mediator. Consequently, France held contracts with it and sent consuls to it, despite the existence of a consult for such inside the Ottoman State. This policy led to intensifying the competition among European consults to satisfy Ahmed Pasha. Therefore, Ahmed Pasha El-Qarmanli exploited that for his own benefit, since he granted priority to each one who gave him better presents.
Sharif Abdel Aziz, A. (2019). The relation of Ahmed Pasha Karamanli with France (1711-1745AD). Annals of the Faculty of Arts, Ain Shams University, 47(7), 1-15. doi: 10.21608/aafu.2019.281440
MLA
Aziza Sharif Abdel Aziz. "The relation of Ahmed Pasha Karamanli with France (1711-1745AD)", Annals of the Faculty of Arts, Ain Shams University, 47, 7, 2019, 1-15. doi: 10.21608/aafu.2019.281440
HARVARD
Sharif Abdel Aziz, A. (2019). 'The relation of Ahmed Pasha Karamanli with France (1711-1745AD)', Annals of the Faculty of Arts, Ain Shams University, 47(7), pp. 1-15. doi: 10.21608/aafu.2019.281440
VANCOUVER
Sharif Abdel Aziz, A. The relation of Ahmed Pasha Karamanli with France (1711-1745AD). Annals of the Faculty of Arts, Ain Shams University, 2019; 47(7): 1-15. doi: 10.21608/aafu.2019.281440