Structural Meanings for Anti-dramatic Character in the Cinematographic Discourse

Most of artistic work data for expression elements were integrate in the cinematographic media as a unique unit to produce artistic treatments depends on the domination of simulation for one of the cinematographic image elements, which distinguishes it by being a center of interest, that overshadows the elements of artistic processing for multiple functions.  The results are perception, understanding, and among these treatments the employment of personality in drama, as a consequence of used tools by narrates events, establishes them, and prepares them for what comeing.
Hence, the researcher set out to delve into the intellectual data and artistic treatments of the antagonistic character in the drama that works in parallel with the main character in the artistic work in embodying the events of the narrative text and working on the intellectual connotations that give dimensions that simulate artistic output solutions as a narrative tool by employing the antagonistic character, which is in solidarity with the elements of the cinematographic image among the features and characteristics of the diversity of characters, whether in life or in simulating them through drama, the researcher reviews, in the content of his research, a set of axes using film models, including the heroic personality and the anti-personal in the cinematographic medium, while the second topic dealt with the factors affecting the formation of the anti-personality in the drama, the characteristics of the opposite characters in the drama; after coming up with the indicators of the theoretical framework, the researcher adopted the descriptive approach, analyzing the content and choosing the research sample to analyze it according to the indicators of the theoretical framework to reach the results and conclusions, among which were research results that give the dramatic construction of the opposite personality in the cinematographic image, a special feature that works on artistically producing level with intellectual and expressive connotations and suggestions that work on narrative continuity in the artistic given among the conclusions is that the data of the opposite character in the drama contributes to an intellectual and informational flow that has the ability to suggest expressive aesthetic meanings and connotations in the cinematographic discourse; the research ended by conclusion and references.