Another reading of the Arab weight through musical weight (a poem by Nizar Qabbani as a model)

The rhythm consists of the time quantity, so we were able to calculate the time of activations and from the pulpit   it is determined by simple or complex metrics, so we were able to locate it accurately, so we could digitize the time and the tone. Symmetry between the two halves or houses is a characteristic of the poetry Arabic and from the pillars of the melody. There is a difference between the weight of the performances and the musical is replacing                                                                              

   The short section in the long section leads to a defect in the weight of khalily, but it does not affect the Music. Nizar's poem from the Full Sea was organized and activated: "Two Reactions" one hundred and thirteen times. IT got a rhythm change, the musical poetry could afford a solution to the rhythm changes that the rules were unable to do so, it is a quantitative draw since the poem started in full time, the rhythm will end in less time and it was made of a part of word which ended by the letter ( M ).