The semantic concentration of the actor's performance in the play

The analysis of the text is based on theatrical presentation and the disclosure of its implications on a set of theories and laws that govern the mechanism of operating the monetary effort on the text. This led the researchers to adopt the research topic (the semantic concentration of the performance of the actor in the theatrical presentation). The researcher divided his research into the following:
The problem of research, which was determined by the following question: What qualifiers achieved by the semantic concentration of the performance of the actor in the play?
The theoretical framework, divided by the researchers into two sections, was as follows:
The first topic: the philosophy of disassembly term and concept, and was searched for the philosophy of disassembly and the most prominent views of Jacques Derrida.
The second topic: the semantic concentration of the actor's performance.
Finally, the researchers reached theoretical framework indicators and adopted a sample analysis tool.
Chapter III (Research Procedures): The sample was analyzed and the Iraqi play (rain Baghdad).
Chapter Four (Conclusions and Conclusions): The researchers reached a number of conclusions and conclusions, and concluded the research with the list of sources.