The aesthics of employing overlap and narrative speed in the narrative film

The cinema through its continuous production has witnessed developments on the technical level of the narration with its technical, technical and aesthetic development, and there were many film applications that gave features of a narrative and artistic transformation of traditional narrative concepts and one of the most important narrative techniques that the directors have worked on are narrative interference and the narrative speed that interests In arranging film events and as a result of the difference and contrast between the time of the original story and the time of the narrative, the speech is before a time paradox. The research has been divided into five chapters, the first is the methodological framework for the research, and the second is the theoretical framework. The sample intentionally selected, which is (Mr. Noobody), was produced in 2009 and presented in 2013, which corresponds to the temporal, spatial and objective limits of research, after which the researchers came up with several results, most notably the results:
1-   The overlapping narration had aesthetic and semantic dimensions added to the film discourse through optimizing the use of its techniques.
2-   The narrative overlap in the sample film relied on a. The discrepancy between the time of the story in its historical sequence and the time of the narrative discourse that depended on the system of the appearance of events in it.
B. The formation of narrative interference through the narrative level is accompanied by the number of bounces and pre-emptions relative to the specific time point that represents the narrative present.