The apparent reading of the theatrical text

The phenomenon draws its philosophical data according to Thesis (Husserle) by reconciling thought with the world by describing the higher structures of human consciousness, and that is why phenotype found a knowledge space that would be a science of consciousness|, and can describe the effect The exchange between the self and the world, and this philosophical saying that Husserle worked on in contemporary thought that finds its resonance in the theatrical text as a phenomenon that concerns the processes of thinking, awareness, understanding and human experience, it is one of the spaces of this conscious thought of human reality, because it works to The inner self of human consciousness is brought to the fort été by presenting a hidden mental act in the reading phenomenon in the theatrical text.
In order to monitor this conscious interconnection between the text and the phenomena in reading human thought with transcendental awareness, we worked to ensure that this monitoring is through three axes: the first represents the systematic axis that includes the problem of research and the importance of research and the purpose of research, and the second axis is the theoretical foundation, which included three entries:
First: a conceptual introduction to phenomena
Second: The foundations of monetary phenomena
Third: The apparent interpretation of the theatrical text
The third axis is to deal with the procedures of the apparent reading of the theatrical text
The research was concluded with its findings and the list of research sources, and the most important findings are:
1-   The phenomenological reading reveals what human existence is and this is what characterizes the theatrical text as a phenomenon, and this is what appeared when reading the text in the light of the phenomenological approach, as it turns out that the theatrical text establishes a philosophical vision that attempts to intuition the meaning through its aesthetic understanding of human reality and the dialectic of this existence, as in the thesis of a macbeth, hemelt, a tatel and other texts, since each text has its own philosophical vision with intent.

2-   The analysis of the research sample showed that the theatrical text is the space that reveals the presence and represents the phenotypes, philosophical and critical thesis in which the reading of existence is presented outwardly, in the form of both phenomenology and theatrical text two speeches to modernize human consciousness and the reversal of all that is traditional and stereotypical in human thought. The theatrical text is therefore a transcendent consciousness and an affirmation of the intention of the phenomena, which reveal the truth of existence, as Nietzsche says.