اللقطات السينمائية والدرامية في شعر محمد إبراهيم أبو سَّنة

This search has an aspect of the picture in the poetry of the great poet of Egypt, Mohammad Ibrahim Abu Senna of the cinematic aspect of the martyrdom, Modernist text - often - is the productive openness of a wide world of the images that go around in a variety of spaces launched by a small latent obsession in personal autonomy of producer. Abu Senna -as a poet who fought the experience of modernity, he was in his texts and others without prejudice to the rules of the language and other aesthetic and ethical expression of connotations and insinuations and artistic.
The cinematograph is based on visual elements as a form of stimulation for the formation of a poetic impostor, This stimulus may come to give the image shipments of life, color and motion, so that the receiver feels the inside of this image and exceeds this the imagination stage and the mechanisms of these images are multiple the originator may seem to have a way of directing its cameras and concentrating them on a particular aspect of the picture, It makes it a starting point for the rest of the scene, and it may leave it and return it several times, and all this is clear to the reader through the textual evidence found in the search.
The picture may come in the form of a scene that the poet returns to the past “flashback”.
In another film technique, the originator leaves the role of director and indulges in the scene to be part of it, using narrative expressions and setting the appropriate psychological state.
The poet was also inspired by the art of cinema the growth of the event and dropped it on a photograph giving it a kind of growth and reproduction, without burdening the reader frequent transitions and metaphorical sequence a sophisticated cinematic image came with a mixed of the reader's illusions.
The reader of this search of all these techniques and the influence of other arts is evident in the works of the poet, though of these techniques and this vulnerability sometimes they tend to show the past and their cultural gene in its substantive work.