نوع المستند : المقالة الأصلية
المؤلفون
جامعة بغداد/ کلية الفنون الجميلة/ قسم السينما والتلفزيون
المستخلص
الموضوعات الرئيسية
عنوان المقالة [English]
المؤلفون [English]
Since the first moments in which the art of the film was born, the filmmakers were obsessed with dealing with space cautiously, because it is the biggest part in which the camera revolves. Unlike the narrative space in the theatre which is defined by the stage, space in films does not have a particular identity. The production of a complete, integrated visual image of the space expresses its physical truth and aesthetic dimension. It is a great adventure for the filmmaker to fight it with courage. Through all these influences, the cinema has broken the laws of physics and established pillars for the space in the cinema actually exceeded the limit reality and took us to far the human imagination. The first chapter of the study included the methodological framework beginning with the problem of research, which was formulated in this question (how does the aesthetic and dramatic interaction of the structure of the virtual space in the three-dimensional film arise)?
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