الثورة البريختية على الجذور الأرسطية

This part tried to put an establishment for the Arab political scene ,especially in its treatment of the Palestinian cause ,through :

Definition with Aristotle dramatic theater and intellectual bases and roots of the three tragedy components : Muti simulation ,simulation tool and the simulation method .
Seeking to develop an intellectual framework for Brecht's mechanisms in epic threater ,through his small book in size large in value and content the (small Alawrjanon) translated by MR. farouk Abdel Wahab and prefaced by Ms. Nihad Selaiha.
Making a comparison between the professor (Aristotle) and his student ( bertolt Brecht ) from various creative aspects .
Developing Brecht's mechanisms in epic threater as a common ground established by the political theater Arab with its pioneer and his contemporaries .
Confirming that the Arab political scene is rooted deep in the soil of Brecht ,and has drunk from the trough of the inexhaustible.

The bottom line is that the dramatic theater ,both ( Aristotelian) and epic (of Brecht) extended its roots deep in history ,is a series of connected loops from Aristotle passing through Berecht till the creators of contemporary theater : westerners and Eastern ,Arabs and foreigners .with regard to Arab political theatre ,especially in the handling of the Palestinian issue and dealt with it ,we can not overlook or disregard for affected in this context theater of Brecht ,the epic Brecht mechanisms and saturation in a manner Brechet Revolutionary traditional Aristotelian templates .this does not mean supply our consent fully to imitate others as they are and our call to enter this road to its limit ,but the intention behind it: the call to devise dramatic methods that reflect us and learned from our Arab local environment ,moral heritage and the system of values .