الاشتغاﻻت السيبرانية في الفلم السينمائي ... عصر مابعد اﻻلفية

  the vesual Arts care of creativity work audio and video   components and outputs derived moot from the surrounding environment, which would convey the intellectual and aesthetic messages nearby  Sciences to excellence and change and shock, a huge developments In audio and video in the age of the third millennium, human became surrounded at home and workplaces and entertainment with high quality images drawn hundreds of words in its effectiveness and impact, and invade the scientist in all places, and old formats should be changed become modern one  effective In masses, thus invested by arts visual arsenal of modern computer systems, cyber scientific revolution, to effect a merger between different Sciences and finding technical experience celebrates the caves and break the ordinary and communicates by a society that rubbed off with places and times Of openness to modern technologies absorbed semantics, and is integrated with the technological world, to evoke cosmic reality Finder receive visualize just blend in with the machine, and a different reveals new levels of perception and aesthetic concepts characteristic composition honors programming mechanism. The fertilization between cinema and television find technology, of sibrani since  has created a space Communication to broadcast cultural systems which  leaves her naturalization to configure other new teach her language, which became part of technological system authority inside surrounded by every place. And framed within the audiovisual communication field imaging and detection of cyber image search (the works came cinematic Cyber in the movie film. Post Millennium era), which contained four chapters, chapter I research and methodological framework containing the search problem formulated by a researcher to wonder: to what extent reflected the influence of Cyber Science on patterns in art film? And its importance and its objectives of identifying the reflection and engagement alsibrani media movie film, and identify the technical format transformations (technology) at the cinema in this post. Chapter II theoretical frame and previous studies which included two sections, the first Cyber address Originality of concept and swindlers, and the second section titled cyber. Relational science and art. With care, chapter III search procedures search sample analysis, chapter IV included a presentation of the main results and conclusions reached, as well as proposals and recommendations and final list of sources as well as some supplements. The most notable findings Finder: show by analyzing the sample selected film that involved high level technology adopted dazzling and astonish and surprise within a film installation Cyber trend. Analysis revealed a clear a manifestation of cyber concepts work achieved through technology adopted by film in film shape elements structure and very high percentage compared with alsibranih employment  in narrative content structure. Researcher monitoring Cyber crystallized ideas and concepts offered in most scenes the film through its imitations in the installation and construction of dramatic characters, whether President or secondary characters for emotional and intellectual communication with the receiver.