التجلى الشعرى للتسامى النفسى (عقدة سواد لون عنترة نموذجا)

This research observed the poetic verses in which Antara mentions his dark skin in his collection of poems and analyzes the artistic forms by which he formulated this mentioning, assisted by the psychological analysis achievement, and especially to what is related to concept of the remedy by the meaning that tries to follow the special journey for each human being, for searching a meaning to his life through the psychological sublimation.
The research observed twenty situations about Antara mentioning his dark skin in his collection of poems, and divided them in five groups that are in referential concordance, and they are: the skin darkness correlation with the lineage weakness, the opposition between darkness and whiteness, the opposition between his dark skin and his good deeds, the effect of his dark skin on his relation with Abla, and the invention of poetic justification for his dark skin.
The researcher was keen for not omitting the creative confidentiality for each single approach when he analyzes.
After that the research finished analyzing all the poetic contexts on which there was a reference to Antara’s black skin at the linguistic and psychological levels, the researcher made has clear to the recipient the reasons of his preference on depending on the remedy by the meaning school instead of the Freudian psychological analysis school in his trial to read Antara’s poetry.
As the essential difference between the remedy by the meaning and the psychological analysis is that the remedy by the meaning considers the human being as a creature whose main interest is concentrated on achieving the meaning and realizing the values, instead of satisfying his whims and satiating his instincts, and this is more in concordance with the nature of the poetry, and with the poet’s skills that allow him to express his psychological sublimation through his artistic creativity.