مقاربات في الصراع الانساني بين ملحمة جلجامش والشعر الأندلسي " دراسة نقدية فنية"

This research aims to identify artistic approaches that document the connection of Andalusian poetry with the Epic of Mesopotamia, and its influence on many of its themes, especially the image of human conflict. The Sumerian and Akkadian "Babylonian and Assyrian" (see: Taha Baqir, 1980, p. 9-10), on clay tablets in cuneiform script, with poetic texts by Andalusian poets, and I have found wonderful methodological approaches that raise the search to the level of finding important aspects that are deeply linked to the psychology of The epic poet and the poets of Andalusia, and their personal emotions and the moral frameworks in which they fortified themselves without prejudice to their active personality, which was clearly manifested in their poetry, and was able to reveal what was going on inside them, and provided us with everything we wanted to know and see, and revealed the nature of the mentality of these poets, and what arrived To him their thinking of awareness and authentic culture crystallized by the events in a manner consistent with their goals. The research also stopped at the nature of the human conflict in its various forms, whether it is an (external) conflict, and this conflict arises with others and society and its values, or an (internal) conflict, and it is with the self, its obsessions and impulses, and I tried in my research to stand at the poetic texts of these poets, because they constitute the means The appropriate key in reaching the manifestations of this conflict in its comprehensive concept, such as a difference of opinion, or viewpoints, or a judgment on something; Because the text is a summary of the poet's experience, and an important document of the facts of his life and the accompanying events and details, revealing many of the features of that era in which he lived.