نوع المستند : المقالة الأصلية
المؤلفون
جامعة بغداد/کلية الفنون الجميلة/قسم الفنون السينمائية والتلفزيونية
المستخلص
الموضوعات الرئيسية
عنوان المقالة [English]
المؤلفون [English]
The research includes the first chapter (The Systematic Framework). The research problem, posed the following question: What are the fictional references for the type of film in cinematic art? Then the importance of research, with the goals and limits of the research.
As for the second chapter (Theoretical Framework), the researcher divided it into two topics, the first topic (Narrative Type), in which the most prominent narrative types were studied as a reference for the film type. As for the second topic (Film Type); the film types that emerged from the narrative genres were studied.
The researcher produced a set of indicators resulting from the theoretical framework, which were adopted as tools for analyzing the research sample. The third chapter (research procedures), includes the research methodology, the research community, the research sample, the research tool, and the analysis.
The research sample consisting of two films was analyzed. The films are as follows, (Perfume) and (Harry Potter).
The researcher noted within the analysis that the most prominent results among them were:
Film types that depend on the narrative type in building the basic features of the events spatially and temporally, as well as the personification of the characters and their actions within the film.
Based on the theoretical framework and the results, the conclusions were set as follows:
There is a creative precedent for the narrative type over the film type, but there is a creative precedent for materializing the narrative text in a way that raises surprising and dazzling narratives within the text
The research concludes with a list of the sources that were relied upon.