نوع المستند : المقالة الأصلية
المؤلفون
1 مدرس مساعد في کلية الفنون الجميلة- جامعة بغداد
2 مدرس في کلية الفنون الجميلة- جامعة بغداد
المستخلص
الموضوعات الرئيسية
عنوان المقالة [English]
المؤلفون [English]
The telling is the essence of the scenario for the events that comprise the entire tale of the film. Thus, the theme of the narrative gives the scenario its dramatic dimensions.The tellingtechnique, called narrative, is the way in which theCinematic tale is told. Thus, choosing the focus through which the screenwriter narrates his tale is one of the important tasks of the scenarist to make his tale interesting.
Hence, this search deals with the interrelationship between the screenwriter and the narrator and the text. Moreover, how to understand the focalizationand its association with the previous trinity. In addition, for the importance of research it'scame in five chapters, the first: the problem of research included: how to explain the telling in the film scenario? The current purpose of the research is to reveal the forms offocalizationand enlightenment identify the sites taken by the narrator in the narrative telling of scenario.The second chapter contains the theoretical framework. It has been divided into three sections, first: Include the concept of focalization.The second: The relationship between the methods of focalization and knowledge of the narrator. The third and final section: Include the narrator's location and its relation to focalization. The third chapter included research procedures. It was the research methodology is a descriptive and analytical approach. The research sample was the scenario of the film (47 Ronin).The analysis of theresearch sample is presented in Chapter 4. The fifth chapter included the conclusions and conclusionsthe most important of these are: screenwriter follow specific mechanisms of appearance through specific methods of focalization. He appears in specific places such as address cards and appear in the characters of the work and he shown in the sound.
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