جدل المؤتلف والمختلف في تشکيل الازياء المسرحية (المسرح العراقي انموذجا)

This study deals with the controversy between recombinant and different theatrical fashion combinations by combining design elements. that in turn stimulate the attention of the recipient or distract his focus by choosing the recombinant elements he has or  by choosing different in terms of rhythm and sources of influence and issuance and formal consistency and volumetric proportions which is reflected in the understanding and awareness of the general meaning for costumes and the expansion of developing hypotheses and intellectual aesthetic readings by the theater recipient.
What is meant by the authorship on all the plastic units that collect their elements in the direction, goal or unification and convergence of the parts that make up the plastic unit, whereas the different is intended in terms of contrast, repulsion, disagreement and the violation of the parts in the plastic elements of the design unit and an example of that is the difference in the color element as in the difference between white and black color, Accordingly, the design formation of the fashion unit is subject to the dialectic that exists between a coalition and the difference in the choice of elements (line, color, texture, size, mass, space) and others in the fine elements that work to produce the final image of one Fashion in the theater.
In order to reach the achievement of the goals of the current study and extract useful and very realizing scientific and academic results, the study was divided into chapters where the first (methodical) chapter contained the research problem that was a controversial philosophical question which is ((how to form a fashion design unit according to the different and different elements) In the theatrical performance?)), And the main objective of the research has been set in ((revealing the different and different aspects in choosing the elements of fashion formation in the theatrical show)), and the importance of the research came to highlight the dialectic of choosing the elements of fashion design in terms of difference and coalition and expanding the circle of interpretation and understanding For the visual image For fashion and benefit workers in the field of performing arts in general, and also the limits of research and terminology were defined at the end of the first chapter,
 and the second chapter (theoretical framework) came in several topics: namely
The first topic: Controversial dialectic and different theatrical costumes.
The second topic: the formal meaning of fashion according to the different and recombinant.
The chapter ended with the most important indicators of the theoretical framework and its consideration of criteria in the analysis of samples, and the third chapter (research procedures) came in defining the research methodology and the descriptive (analytical) approach and the analysis of the sample and its tools in the analysis came, as the fourth chapter (research results) came and the most important of them were:
1_The formation of the dramatic event is embodied according to the dialectic of the recombinant and the different in the signs of the visual elements, especially the formations of theatrical costumes.
2_The choice of the visual elements according to the recombinant and the different depends on the aesthetic, intellectual, professional and creative awareness of the theater director, the theater costume designer and the extent of the absorptive capacity of the philosophical concept of the theatrical show in general in order to achieve a theatrical performance with various readings according to the visual rhetorical level.
As for (the study's conclusions) were among the most important:
1_In order to achieve departing from the ordinary and entering into the world of interpretation and comprehensive change, the fashion designer pushes the selection of different elements in its compositions in order to break the familiar, generate various meanings, and move away from the recombination in the choice.
2_In the event of expansion in the true sense of the general form of theatrical costumes, selecting the recombinant elements in order to reach the graphic meaning directly, quickly and clearly without entering into the dialectic of interpretation and change.

The research concluded with a list of Arab and foreign references and sources.